Current influences: Howl's Moving Castle, and Night Watch. Goodbye, formulaic Hollywood drivel - hellO sexy foreign flicks. I am currently unable to watch other movies, secure in the knowledge that I will feel as if I'd wasted two hours of my life on something WAY less cool than Moving Castle/Night Watch. (It's just a phase, of course. I felt the same way after the first Lord of the Rings and the first Matrix.)
Howl's Moving Castle: kickass battleships, weird-ass magic, and a badass fire demon. (This ghetto plot summary has been brought to you by the letter "ass".)
Night Watch: Think Matrix + Underworld + really cool subtitles... and, unfortunately, -English. But it's better than it sounds - the characters aren't slaves to special effects, and for the most part aren't even cool. But that's a good thing. In the Matrix and Underworld everyone wears the stereotypical gothic trench coats/leather/whatever. And Incidentally, in good Hollywood form, everyone but the older/goofy male characters are unreasonably attractive. In Night Watch, people are REAL. Company uniforms, threadbare patched coats, and (in the case of one very odd character) 50's style Russian grandma-clothing. The characters have powers, but they're subtle; not flashy and explicitly described like in X-men. The "good" and "evil" sides (light and dark) start off as stereotypes, but things become sufficiently complicated as the movie progresses. Hell, the light and dark factions aren't even at war, they mostly just annoy each other... though that begins to change, too. Anyway, in summary, it kicks ass. Watch it.
More current influences: Confessions of an Economic Hit-man Damn good book - and it's no wonder the US Government is grasping at straws to discredit it. It's convenient that the Government can't be directly implemented in most of what the book describes, since most of what goes on is government-encouraged private-sector stuff. Of course, on the other hand, the book is essentially a personal account - not a statistical/scientific expose*. While nothing he claims seems particularly unbelievable (most of it I'd seen in history texts already, albeit from a different perspective) it couldn't hurt to throw in a few more statistics w. references.
Lies My Teacher Told Me: Everything Your American History Textbook Got Wrong is pretty damn interesting, too. It gets preachy and is perhaps too obsessed with political correctness, though. (Political correctness is essentially anathema to what the author is trying to do: just portray history as it actually was. He probably doesn't realize that that political correctness is just revisionism in another form.)
*Just so you know, I'm boycotting those stupid slanty-things the French decorate their words with. This is English, dammit, we don't need no slanty things.
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